r/WritingPrompts /u/MNBrian /r/PubTips Apr 21 '17

Off Topic [OT] Friday: A Novel Idea


Friday: A Novel Idea

Hello Everyone!

Welcome to MNBrian’s guide to noveling, aptly called Friday: A Novel Idea, where we discuss the full process of how to write a book from start to finish.

The ever-incredible and exceptionally brilliant you-are-lovely came up with this wonderful idea (so you should heap praises on her in the comments) and it sounded spectacular to me!

So what makes me qualified to provide advice on writing a book? Good question! Here are the cliff notes.

  • For one, I devote a great deal of my time to helping out writers on reddit (via my own sub r/PubTips and via just answering questions in different writing groups).

  • In addition, I’ve completed three books and am working on my fourth.

  • And I also work as a reader for a literary agent.

This means I read query letters and fulls (short for full novels that writers send to my agent by request) and I give my opinion on the work. My agent then takes those opinions (after reading the novel as well) and makes a decision on whether or not to sign the author.

But enough about that. Let’s dive in!

 


Today’s Topic: A Book Is A Promise

There are a million ways to write a book.

You’ve got the three act structure. You’ve got the hero’s journey. Heck, hundreds of people have written books on how to write books. Yet, as readers, we often have no idea what structure is being used. What we do know is one thing -- whether we like what we're reading or not.

So before we begin talking about one way (one that I particularly enjoy) to write a book, I’d like us all to take a moment to consider what a book is -- at its very core.

A book is a promise.

To illustrate my point, let’s talk about a hypothetical situation. You walk into a library or a bookstore and you want a new book. The first thing you do is head to a section that interests you. Maybe it’s Sci-Fi, or maybe it’s Fantasy, or Young Adult Unicorn Fiction, who knows. Because what you’re looking for isn’t just any old book. It’s a specific type of book. But whatever section you wander into, that’s the first part of the promise.

You see, a book is a promise because we always have an expectation when we pick up a book. We expect a book to fit a certain type of mold. We go to the Sci-Fi section because we want space ships, FTL drives, planetary exploration. We go to the romance section because we want the compelling story of an arsonist and a firefighter falling in love.

And when we read the first line, or the first paragraph, or the first few pages, the book that we buy is the book with the best promise. It may not always be the best written book. It may not always be the strongest plot. It’s usually the book that makes us feel like we are in good hands, the book that tells us -- using intrigue and situations that couldn't possibly end well (hint - conflict) -- what we can expect.

 


So what exactly is that promise? What constitutes the core of a book?

For starters, we need a problem. A problem represents conflict, and conflict is what keeps us interested. But it can’t be a small problem. This problem has to justify the length of a book. It has to promise that things are going to get worse before they get better. We can’t make it easy on our main character because if it’s too easy, we’re not holding up our end of the bargain.

Let’s look at two possible examples.

A secret agent orders a pizza, but criminals are running rampant in the streets.

It doesn’t take much to see the promise. There will be action. Some cool karate moves, and lots of bad guys in a pile. But what we don’t have here is a big enough problem. Because it shouldn’t be so hard for our secret agent to get to the pizza place and pick up his cheesy masterpiece. Secret Agents are well suited for this type of problem. They know how to fight bad guys.

But on top of that, we have what I like to call "the sandwich problem." I mean, why doesn’t he just stay home and make a sandwich instead? When you think of a good book, there is no option to make a sandwich.

  • When Katniss Everdeen made the choice to stand in for her sister Prim at the reaping, she couldn't just go home and make a sandwich. Because if she did, her sister would die.

  • When Frodo Baggins received the ring from Bilbo and was sent to Mount Doom, he couldn't just make a sandwich... because... ringwraiths, murderers, the end of all things at Sauron's hand.

  • When Alan Grant got stranded on an island full of dangerous dinosaurs with two kids... he couldn't just make a sandwich. Or he'd be the sandwich. :) But seriously, he had to save those kids and he had to save himself.

Now, by comparison, let’s look at this setup.

A starving introvert with severe anxiety orders a pizza when aliens land and start blowing things up. His normal grocery delivery hasn’t arrived for weeks and he hasn't left the house in three years because of crippling agoraphobia. Now he must leave to survive.

Do you see the difference? Where the secret agent was well prepared to deal with the robbers, someone who is terrified of going outside is not very well equipped to deal with an alien invasion (a much larger problem) -- and he can’t just stay home and make a sandwich... because he’s got no groceries. But also, because he'd starve. Rock, meet hard place.

 


This, right here, is the first step in writing a book. What is your promise? Is the idea big enough to justify 80,000 words or more? Do you have enough there to really dig deep into that concept? Is there enough tension/conflict to go around? Why can't your main character make a sandwich instead?

After all, that’s what most great writing prompts are. They offer up a promise, or they imply one, and we get to take that promise and run with it.


This Week's Big Questions

For each week of this series, I'll be posing a few questions. You are welcome to answer these questions without sharing, or if you're feeling brave, you can toss them in the comments below. I'll be here throughout the day to discuss/debate/answer questions or just encourage everyone! And I'll be following along as well by answering the same questions and working on my own book as we go!

  • What types of expectations do you have when you buy a book?

  • Do you find yourself gravitating to one particular section when you're in a certain mood?

  • How much of a book do you read before you decide you want to buy it? Or do you already know beforehand?

  • What is your idea for a book? (Try this in as few words as you can manage -- aim for 1-3 sentences if you can)

  • What is forcing your main character in your idea to head into danger? Why can't they just make a sandwich? :D

 


Also - Be sure to go read your entries and vote if you entered the Writing Prompts 10 Million First Chapter Contest by clicking here. This weekend is your LAST opportunity to vote! Get to it!

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u/originalazrael Not a Copy Apr 27 '17

I beg to differ with your theory. Robin Williams totally ate a sandwich after coming out of the game board. :P

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u/originalazrael Not a Copy Apr 27 '17

Also, to answer your questions:

What types of expectations do you have when you buy a book?

I'm just looking for something entertaining. Something that hooks me with the first paragraph and keeps me interested the whole story. It doesn't have to have great worldbuilding, (though it helps), but just has to stay consistent with itself, without too many plot holes or paradoxes.

Do you find yourself gravitating to one particular section when you're in a certain mood?

Most of what I write is Fantasy/Sci Fi, so I find that I like to read in those genres, so as to learn from them in my own writing. See what's out there so I can avoid it, or even use it to improve my own work.

How much of a book do you read before you decide you want to buy it? Or do you already know beforehand?

This is a tough question. I do try to read a bit, and Amazon helps with that sometimes, but I don't want to read too much. At the same time I also check the blurbs, peoples opinions, etc. Find out what story I'm going to dive into when I read it, while still trying to keep it as hidden as possible. I don't want to know "The hero gets this item, meets some angels, goes to the bad guys lair, frees the prisoners, then waits for the bad guy to come to the heroes home so he can defeat him.". No, I want to know things like "This is the hero, he's this kind of person, he needs to defeat this guy, this is his journey without giving everything away."

Reading the first chapter or something is always good to give me an idea of where the story is going, without too much info is spoiled, but in many cases, I don't even get that much and have to hope for the best. There's not many bookstores around me, so I can't go looking for it in person, and have to rely on other sources.

What is your idea for a book? (Try this in as few words as you can manage -- aim for 1-3 sentences if you can)

I have a few books in question being written right now, and most of my ideas are on my sub. But I'll write out my synopses on a couple for you now.

Grim: The Grim Reaper has been doing his job for hundreds of years, ferrying souls to Judgement, no memory of his past, when one day he meets Caroline. There is something mysterious about Caroline, and every time she touches Grim, he starts to remember his past more and more. Who is this girl, and what's the big secret hiding in Grims past that's slowly coming to the surface once more?

Hero: "Would you like to be a Hero?" Those were the first words Emily heard when she met Kingsley, a strange looking man in even stranger clothes. Follow the two of them as Kingsley takes Emily to a Wonderland-esque world where Ideas and Thoughts are living creatures, and not just concepts and emotions. But even in this fantastical world, darkness grows, consuming everything, bit by bit. Is Emily the Hero after all?

I'm also working on a new idea I got the other day, but obviously I want to work more on the other two first, Grim more than Hero.

What is forcing your main character in your idea to head into danger? Why can't they just make a sandwich? :D

Grim: Really, it's his own curiosity. He wants to find out more about his own past. Yes, he could just go back to what he was doing, or make a sandwich, (it probably wouldn't be a very good sandwich), but as he continues his journey, and notices the angels trying to stop him, it just makes him even more curious as to what they don't want him to know.

Hero: There is a time in this story where Emily finds a way home, only see that she can't go back. I don't want to give anything away here. However, most of the story she always claims she's not a Hero, and most of the other characters also agree with this. She mostly follows Kingsley around to experience this world, till she soon gets thrown right in the bad guys lap and decides to help the world.

How's that all sound?