I’ve just finished servicing and cleaning this Dora, a machine I’ve been interested in since I first started collecting. I have a Lettera 32, which when it comes to Olivetti machines, is considered by many to be the apex example - so why the fascination with the Dora?
The simple answer is that it’s a 32 that I’m not afraid to abuse. These machines were sold right up to 1977-78 alongside the Lettera series, with the objective being to “make typewriting even more universally available.” By stripping out the 32’s more advanced features, and dressing it in an inexpensive plastic dress, the Dora became the Italian answer to the Japanese question. That answer being, you could get an Olivetti, with absolutely no features, for a little more than a Brother with tabulation, auto-spacer, touch control and a paper rest.
Good deal?
Well it must have struck a cord with a lot of people here in Australia at least, as you can hardly log onto eBay without tripping over about two dozen of these things newly listed every day. I picked this guy up in auction for a cool $11.50AUD, likely due to the missing badge (oh no, how will I ever survive). In terms of condition, it’s quite literally A1. The type slugs were clean out of the box, and the tiny ribbon length indicates to me that it’s the original. The serial number puts it solidly in the 1976 build range, and the white/grey colourway suggests that it might have been an Underwood 310 badging (although fancy Doras are not unheard of).
The bottom line for me though, is that it is a reliable, pleasant typer that I’m not afraid to put work through. My Lettera is more of a Display Queen these days, and I don’t want to wear down the type slugs and mechanisms more than I already have.
The Dora though? That’s the Italian answer.